This sixth Assignment catches me off guard less than usual, in that respect copyright, sadly I had already had occasion to reflect, and how. From my point of view, the way most sincere and spontaneous discourse of this topic would be the start time with little rant against the beloved noble SIAE, but I'll try to restrain myself. But I want to talk about copyright from their subjective point of view of a poor emerging group. I certainly do not use the term "artists" who would be an insult to centuries of history, much less want to talk from a qualitative point of view, which perhaps, beyond history, also affects human decency.
Just do realize they have a passion, to cultivate it, share it with others, make it grow with them, throw in a bit 'of your ideas, a bit' of yourself, and then, without pretense or hope, wanting to know. So happy with your smile run to the Italian Society of Authors and Publishers, and you're happy, because they understand you, they protect those who have passion, who cultivates, who shares, who grows, who puts a bit 'of ideas and a bit' of himself in something. And then? Then the flies off your smile turning into a soft foul language, and you find yourself alone in the hands of a few pages with an endless series of zeroes, and the bottom of this a known symbol: €.
"All right, I'll pay .." - Think back the naive artistucolo home - "at least I will offer an excellent service, keeping pace with the times, able to assist in my desire to create." While artistucolo calls this its future, the future will reply with a wonderful raspberry.
Nothing, emptiness.
It 's true that, as pointed out prof. Formiconi, the situation has become widespread, but it is also true that, at least in Europe, Italy occupies a top position as the rates of services offered by similar institutions. Who would have thought it?
Flying over the economic problem, unfortunately, remains the big stumbling block given the inadequacy of the rules of all these institutions, as well as of its member, in relation to new forms of communication, dissemination, both artistic and a social connection and, last but not least, teaching.
We want to move gentlemen? O bellies are not full enough?
PS (16/04/2009) I am writing in response to Thomas that I mentioned it in his blog . My post does not want to disparage the copyright, which I consider essential for any person who can create or make any form of art or knowledge. This article is directed instead to those who speculate on this capacity there, in many cases by tapping the 'objective possibilities. In Switzerland Suisa (equivalent of our local SIAE) costs 60 € in total, not annual, but final. In Italy, with a maximum of € 60 offered a cup of coffee on the Director SIAE. That's it.
0 comments:
Post a Comment